^{*includes every performance of that night}

SYNOPSIS

Surrendered to the drift of the body, we begin to abandon what prevented us from being. A waltz appears, brings us closer, a bridge emerges between us, a possibility.

We do not know the whereabouts of the trip but we know that there is no possible return or fluctuation. We will recognize ourselves behind the threshold, in that shoot of the road where our bodies end the descent. To go up we must first go down, but how far?

BIO

Sharon Fridman, based in Spain since 2006, uses the contact technique as the basis of his own contemporary dance body language, baptized as INA Practice. Many of his works have received important prizes and mentions. A large number of companies and groups perform his creations today. Since 2018, the company has been a resident at the Francisco Rabal de Pinto Theater (Madrid), where projects with the community as well as their own creations are carried out.

ARTISTIC RIDER

Direction and choreography: Sharon Fridman

Interpreters: Sharon Fridman and Arthur Bernard Bazin

Music: Luis Miguel Cobo

Costume design: Maite Llop Morera

Supported by: Comunidad de Madrid, INAEM, Centro de Danza Canal, Centro Coreográfico La Gomera and Centro de Humanidades Cardenal Gonzaga-Sierra Norte

Production and management: Lola Ortiz de Lanzagorta (New Dance Management)

AWARDS

First prize in the Burgos-New York 2011 contest

Audience award at the Burgos-New York 2011 contest

Alicia Alonso CIC Award 2012 (Fund. Autor/Ballet N. Cuba)

Hannover Choreographic Contest audience award 2013

Hannover Choreographic Contest second prize 2013

Audience award at Bern's Tanzplatform 2016